Tuesday, 4 August 2020

Corona and the Salzburg Festival

On the 20th of May, I bloggedAustria, the country that gave us Ischgl, source of corona contamination this winter, is now preparing a similar hotspot for the summer.


And now, I have succumbed to the temptation and am also here. A couple of days ago, I went to the premiere of Cosi fan Tutte, conducted by Joanna Mallwitz and directed by Christof Loy. The splendid clean and clear lined sets made by my friend Johannes Leiacker were a special bonus. It was wonderful: wonderful to go to the opera again, after all the Corona shutdowns of cultural life, and a truly wonderful production. Splendid young singers, who not only sang beautifully but also acted convincingly. An all-round elating evening.


The Festival’s PR machinery has been trying to virally spread the news of how disciplined their hygiene and prevention of infection measures are. No intervals to lower mingling risks, certain “social distancing”, as one was sat in a chessboard pattern and only half of the seats were filled. But the fact is that you get 1000 people spreading those dreaded aerosols in the closed space of the opera house. More than that, once the performance started, people were permitted to take off their masks. I didn’t. Very many did. In fact, I wore an FFP2 mask, that supposedly also protects the wearer throughout the evening.

 

One of my friends sent me a link to an interview with the Festival’s president with a comment “charming lies”. Well, charm is a matter of personal taste. I do not trust messages, statements, interviews with salespeople and the Festival’s president is trying to sell her product. Tickets, in fact, are still to be had. This is unprecedented, like so much else in these Corona times. This saleswoman has an uphill struggle.


Was it wise to go? No. Is it responsible to stage events? No. The least they should have done would have been to make wearing of masks during the whole evening compulsory. Austria succumbed to the powerful Salzburg lobby – it should not have. I can but hope, both egoistically and generally that we will not pay with our health for this experience.


arte have recorded the performance of Cosi, which can be watched here. It will be available until 30 of October 2020. Definitely worthwhile.

11 comments:

  1. You certainly have guts to go to Salzburg at this time, especially as you are a member of the risk class.
    According to the press reports that I read, there was no kind of social distancing whatsoever during the first night of "Elektra". The safety concept was skipped, both by the press itself and by people who squeezed in with tickets of uncertain origin and sold immediately before the performance by (presumably) black marketeers.
    By all accounts it turned out to be a rather splendid performance nonetheless.
    The whole festival is like a laboratory experiment. We await its results - and I don`t mean the artistic ones - with trepidation.
    Good luck!

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  2. Deine Begeisterung über die Salzburger Cosi fan Tutte teile ich, Deine Gewissensbisse bleiben mir wegen des nur virtuellen Genusses - ohne Gesichtsmaske - glücklicherweise erspart wie auch die sintflutartigen Regengüsse auf der Autobahn München - Salzburg. Habe herzlichen Dank für den Link zum arte livestream, der mich über das karge Berliner Kulturprogramm hinwegtröstet.
    Bleibe gesund, wachsam und kritischer Berichterstatter der Festspiele!

    ReplyDelete
  3. You should be a bit more careful! Now you have me worrying. And you know better!

    ReplyDelete
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