After Tristan and Isolde in Bayreuth, there was Figaro in Salzburg and last night Evgeny Onegin (with the great Anna Netrebko as Tatyana) in Munich. The week will end with Norma (Cecilia Bartoli) in Salzburg.
BUT, someone must put an end to all these tiresome directors who force their irritating productions on the opera loving public. A difficult-to-pronounce and no-reason-to-remember named director turned Evgeny Onegin into a gay plot taking place in an unclear time and place that seemed like a workers’ holiday resort in the Soviet Union. Netrebko was wonderful, even if you occasionally had to close your eyes.