Tuesday, 23 August 2016

Cameras at the Opera

Most performing arts venues do not permit video, audio or photo recording during performances. Having to hold back through the performance, very often, as soon as a performance ends, smartphones are up in the air recording the curtain calls. Why? It’s just a bloody curtain call. What do they do with these pictures?

In Salzburg, last week, after a wonderful performance of Jules Massenet’s Thaïs, hundreds of these smartphones were doing their thing. Just in front of me, there was a gay couple, each had their instrument and both were recording. Why? Will they be comparing shots in the bedroom?

I should clarify that it is probably not a gay thing: I remember sitting next to a Japanese couple on a plane, a few years ago. I had the window seat and as we were flying over the snow covered peaks of the Alps, first the husband and then the wife gave me their cameras and asked me to take pictures of the mountains. In answer to my question, why they needed the photos in both cameras, they explained that they each “have their own memory of the trip.” 

1 comment:

  1. Mobs at the opera:
    Deem yourself lucky.
    During my last visit at the Royal Opera I sat next to a Russian woman (in row 3 of the grand tier!) who looked more at the mobile phone in her handbag than the performance (of Boris Godunov). There was no stopping her.

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